Question 1

Why is the Concertmaster a violinist?

Alison Stolpa · Accepted Answer

A Concertmaster is a violinist because they’re in a front-and-center leadership role within the orchestra. The violin section is generally the largest section of the orchestra, with its members playing throughout the majority of a performance. Since the Concertmaster is the leader of this section and will make all decisions about the section’s bowings, it only makes sense that they’re a violinist.
In their role as a liaison with the Conductor, the first violin’s physical proximity to the Conductor’s podium also makes sense.

Question 2

Who gets paid most in an orchestra?

Alison Stolpa · Accepted Answer

In most orchestras, the Conductor and Concertmaster are the highest earners, often commanding six-figure salaries. The Principal Players or (Section Leaders) of each section make the second-highest salaries in the orchestra, followed by Section Members, with Substitute Players at the bottom.

Question 3

What is an Assistant Concertmaster?

Alison Stolpa · Accepted Answer

Generally speaking, the Assistant Concertmaster sits in the second chair of the violin section and will serve as the Concertmaster in the event that he, she, or they is not present. The Assistant Concertmaster will then assume the roles and responsibilities of the Concertmaster.
A role as an Assistant Concertmaster adds prestige to a player’s career and can also mean a nice salary boost.

Question 4

What is the single biggest suggestion you would give to someone wanting to get into this career?

Timothy Lees · Accepted Answer

“Don’t limit yourself to only one career path. Instead, spend a lot of time honing your skills on the violin to become the most well-rounded and flexible musician possible. There are many different kinds of performing careers that are all very fulfilling in different ways…never limit yourself to just one! Set firm goals for your career but make them a bit broader than only one thing.”

Question 5

What’s the #1 mistake people make when trying to get into this career?

Timothy Lees · Accepted Answer

“Often players try to play the way they think any particular orchestra or committee wants them to play. This means changing playing styles or characteristics for each individual orchestra. Instead, perform for the committee…get everyone excited about what you have to offer as a musician, not as a programmable robot who plays notes and rhythms. 
“In my extensive experience sitting on audition committees, it is almost always the case that those listening want the best possible musician to join their ranks. This means communicating something with every piece that is played and engaging the listener!”

Question 6

What is the question people should ask about this career but rarely do?

Timothy Lees · Accepted Answer

“Is there a need for you to be in good physical shape to be an effective Concertmaster?
“Being in good physical condition is a great benefit to helping deal with the demands of the job. There are moments of stress, physical strain, and mental fatigue. All of these can be made more manageable by regular exercise to increase flexibility and increase focus. 
“I believe we must be absolutely and keenly aware of what our bodies are doing when we play so that we can make adjustments and continue to play in a free and relaxed manner. Exercise increases this awareness and gives me increased stamina for the everyday demands of the job.”

Question 7

What is one thing I should have asked which I didn’t?

Timothy Lees · Accepted Answer

“What do you do in your ‘free’ time and/or what other interests do you have?
“I love doing DIY projects around the house (hand-friendly) and cycling in good weather.”

Question 8

If you could describe in one word what makes you successful, what would it be?

Timothy Lees · Accepted Answer

“One word is difficult: I would say passion, perseverance, flexibility.”

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