Music Career Finder
Survey Start
Musicologist
Career Overview
Musicologists study music in a historical, critical, or scientific context. The majority of Musicologists are employed by institutes of higher education, where they conduct research, publish papers, and teach college-level classes.
Alternate Titles
Professor of Musicology
Avg. Salary
$80,594 per year1
Salary Range
$38,760 to $327,2651

How To Become a Musicologist
- A musicologist studies the history, theory, and cultural significance of music
- Musicologists usually work at universities teaching classes on what they’ve researched
- Musicologists can also be a Music Librarian/Archivist or a Music Journalist/Critic
- This career involves some travel (when researching music in other cultures)
- You will need a master’s degree or doctorate to teach as a musicologist
- Musicologists make an average of $80,594 per year, and the salary can range from $38,760 to $327,265
- Career Description
- Salary
- Career Outlook
- Career Path
- Experience & Skills
- Education & Training
- How to Get Started
- Additional Resources
- Sources
- References
Career Description
A musicologist is a scholar who studies music from various perspectives, like music’s history, theory, cultural significance, and social context.
What Does a Musicologist Do?
Musicologist Jeremy Smith, Professor of Musicology at the University of Colorado – Boulder, spends a lot of his time researching and teaching about music.
“It could be historical or critical — thinking about whether something was aesthetically good or not — it could even be scientific, studying acoustical theories and things,” he said.
“[It’s] almost anything that relates to the study of music. Most tend to be historical. They like to grab a certain period in history and study it carefully, but others are more involved in contemporary music. I am a historian.”
Smith teaches two classes during the school year, and he tries to schedule them close together so he has some days where he’s not teaching at all. He uses that non-teaching time to research.
“Even though [the classes] meet at regular hours, the schedule is different every time, so it might be different from semester to semester,” he said.
Here are the main responsibilities of a musicologist in higher education:
- Sit on committees
- Design curricula
- Teach classes
- Meet with students
- Make sure the department functions properly
- Collaborate with other music department instructors
- Travel as part of their research (Smith got into Renaissance music because he traveled to England and progressive rock because he traveled to Scotland)
A Day In the Life of a Musicologist
A typical day for a musicologist includes:
- Researching music (the history or theory)
- Planning lectures
- Teaching classes
- Meeting with students
- Grading projects
- Writing about the history or theory of music
Salary
On average, musicologists earn approximately $80,594 per year. The salary can range from $38,760 to $327,265 depending on where they work and the type of position they hold1.
How Do Musicologists Make Money?
How musicologists earn income will depend on their job title and duties.
The two most common ways you can make money as a musicologist are 1) earning a salary in a tenure-track position at a school or university and 2) getting paid per class to be a musicology instructor.
Smith got tenure at the University of Colorado – Boulder.
“My situation, I think, is basically in the middle,” he said. “It’s not an exciting salary but it’s definitely enough.”
But he said getting paid per class can work if you have another job somewhere else.
“If you’re a professional musician and also manage to teach during the day, that can be rewarding,” he said.
Hey, what do you think about trying our new Music Career HelperMusic Career Helper really quick? It’s totally free and could help get your career moving fast! Give it a try. It’s totally free and you have nothing to lose.
Career Outlook
Professors of musicology hold regular class and office hours every week. So as long as school and universities offer musicology classes, there will be a need for musicology teachers.
“With teaching, it’s quite nice to really put yourself on a firm schedule,” he said.
“Like ‘on Mondays, I’m going to teach the class, then get lunch, and relax.’ So, for my teaching purposes, I try to get myself into a discipline.”
While most of his job fits within the typical 9-to-5 workday, he does sometimes work weekends.
“I love my work to the point where I’m happy to spend more time on it,” he said.
“This [schedule] can be scary in the way you don’t know when you’re going to be productive and how productive you’re going to be. …There’s the Jekyll and Hyde with teaching and research, in that one part of me likes to be very disciplined and one likes to experiment. I get a lot out of both.”
There can be travel involved because musicologists sometimes need to research music in cultures from other countries, which requires they visit those countries.
Career Path
Here are the most common careers you can have when pursuing musicology…
Professor of Musicology
You could follow the path that Smith took and land a tenure position as a university professor teaching musicology.
“What I did was very straightforward,” he said. “I wanted to be on tenure-track so I was looking for full-time employment and I got that. It took a while and it wasn’t easy but I did get on a tenure-track.”
This path can start while still in graduate school by serving as a teaching assistant. After graduation, you can get a position as an adjunct professor, lecturer, or assistant professor.
Music Librarian/Archivist
As a musicologist, you have the knowledge to manage music collections in libraries or archives, preserving scores, recordings, and related materials.
Music Critic/Journalist
Because a musicologist specializes in the history of music, you would be able to write in-depth music reviews and articles for magazines, newspapers, or online platforms.
Experience & Skills
Here are the skills you’ll need to succeed as a musicologist, regardless of your career path…
Writing
The main skill you need, according to Smith, is writing. You have to at least have an interest in it.
“Many people are excellent musicians who don’t enjoy sitting down and writing and there’s so much of that in musicology,” he said. “You really have to have the interest.”
Reading
An interest in reading and writing almost always go together. And you will be doing a lot of research, so you have to love reading and learning from what you read.
Contemplation
Smith said you need to be reflective.
“A musicologist needs to want to think about things and not just take them as they come but sit and contemplate some things,” he said. “The process of allowing yourself to think is an advantage in musicology.”
Public Speaking/Teaching
Especially as a professor, you will be in front of classes giving lectures. So you have to be comfortable with that.
“People are going to be looking at you and learning from you and you need to have a way to put yourself in the limelight,” Smith said.
Education & Training
Going to school for musicology is the main way you start your career as a musicologist.
Musicologist Degree
If you want to teach in academia, you’ll need a master’s degree or doctorate in music or musicology. Smith said “your Ph.D. in music does help prepare you for what your career will do.”
Musicology degrees at the undergraduate level are rare, so Smith recommends studying music, history, or art for your bachelor’s degree.
He said “musicology is something you can pick up in graduate school.”
How to Get Started
- Dive into music history and culture. Become a curious music detective: listen to all kinds of music (old classics, folk tunes, even new experimental beats) and explore their stories. Read articles or watch video docs about the music and the people who made it. Keep a journal or blog of what you discover—write down interesting facts, questions, or trivia. This passion project builds your own musical treasure map, and you’ll be surprised how many cool stories hide behind your favorite songs.
- Learn the basics of music and research. Sign up for music theory or history classes at school or online; understanding scales, rhythms, and notation will make your later research a breeze. Practice writing too: start a blog or notebook where you review songs or summarize what you learn. Read books or academic articles and try explaining them in your own words. Strong writing and research habits will serve you for college projects and your future career too (after all, musicologists spend a lot of time writing about music).
- Get a degree in music or history. After high school, aim for a college degree in music, music history, ethnomusicology or a related field. If your school has musicology classes or programs, take them (even a minor in music history helps!). If not, study music performance, history, anthropology or English as a foundation. This formal training gives you the credentials (and knowledge) to advance. Think of your bachelor’s degree as a ticket into academia or a music research job – you’ll often need a master’s or PhD eventually, but those are later steps.
- Write, blog or podcast about music. Share your discoveries by writing articles for the school paper or your own blog. Make a quick YouTube video or podcast episode about a favorite song, artist or era. It might feel nerdy, but it builds your portfolio and confidence. For example, review a local concert, break down a cool melody on Instagram, or post fun music facts. Being visible online (or in your community) is huge – it shows real interest and often leads to small gigs like writing for a local magazine or giving a guest talk.
- Join music communities and network. Even if you’re shy, start chatting with folks who share your music obsessions. Join the American Musicological Society (AMS) student chapter or other local music clubs. Talk to music teachers, librarians or professors about what they do. Attend concerts, conferences or workshops where people geek out on music history. Making friends in the field gets your foot in the door and helps you hear about gigs or internships early.
- Volunteer and intern in music settings. Look for hands-on opportunities: your local library, historical society or music museum might welcome help cataloging recordings or curating displays. Assist an orchestra or school arts program with event archives or library duties. Even a part-time gig shelving sheet music or scanning old scores counts. These roles often come with a small stipend (or credit) and teach you how research happens in real life. You’ll learn day-to-day skills and meet mentors who know the ropes.
- Teach and share what you know. Help others learn an instrument or music concept – it could be tutoring a younger student, coaching a choir, or volunteering at a school music class. Teaching is a huge part of musicology, so get practice early. Lead a music club at school or give a short presentation at a library on your favorite genre. These experiences boost your knowledge and start padding your resume. Bonus: they can pay off – even charging a small tutoring fee or doing a paid workshop adds up.
- Start applying for real gigs. With skills and a portfolio in hand, begin seeking entry-level jobs. Check your city’s library, museum or university music department – many places hire part-time staff or adjunct instructors. Use your blog posts or videos as examples of your work on applications. Freelance gigs count too: offer to write program notes for a concert, lead a local music history workshop, or record interviews with musicians for a podcast. Each small paid project builds your resume and brings you closer to a full-fledged musicology career.
Additional Resources
Smith recommends checking out the American Musicological Society (AMS), which has a national society and chapters across the country.
“They have everything from job postings to bulletin boards, with people discussing what it’s like to be [in the field],” he said. “There’s a lot of career advice and opportunities for young people to come sample what musicologists do…”
Sources
Jeremy Smith
Jeremy Smith is a Professor of Musicology at the University of Colorado in Boulder. His primary research focus is on the music of the English Renaissance, with a secondary focus on progressive rock. He has a chapter in the book Charles d’Orléans’ English Aesthetic: The Form, Poetics, and Style of ‘Fortunes Stabilnes’ and his latest book is Verse and Voice in Byrd’s Song Collections of 1588 and 1589 (Boydell, 2016).
References
- 1Multiple. "Musicologist Salary". Comparably. published: Dec 14, 2023. retrieved on: Oct 31, 2024